I was fooling around on Instagram the day before yesterday, as I am wont to do, and I came across this amazing portrait artist, whose name is Alistair Adams. And I all of a sudden realized that if I were doing artistic things ~ drawing, painting, stuff like that ~ what I’d be doing is portraits, because doing faces is what I’ve always loved best. Below is a face that I did a long time ago:

I know it’s really big, but I couldn’t figure out how to crop it down to a more manageable size, so you get to look at him larger than life. I did this drawing a really long time ago, 1991 to be exact. I took it from a magazine photograph because it was sort a of practice drawing to see if I could actually do it. I never planned on selling it. In fact, I have it hanging on the wall of my dining room. It’s called “Toying With Love” and it’s graphite on paper, and is 8 x 10 inches. The original photograph had a butterfly inside the toy, but I didn’t like that so I put a heart there instead. The thing is, I’ve done very little since. Here’s one:

This was a commission I did for a friend of her granddaughter when she was two weeks old. There were a number of things about the drawing that I didn’t like, and just couldn’t seem to fix, mostly concerning her hair. I tried and tried and tried some more, to no avail. It took me five long years, and my friend was endlessly patient, and I ended up telling her that I wanted to give her the drawing for free because I had taken so long, but she wouldn’t hear of it. She insisted on paying me the price we had originally agreed upon, including the framing.

What finally made it so I could say it was finished was my cousin, Linda Gunn, who is a wonderful professional artist, and who has always been amazingly encouraging to me as a mentor. I decided to go to her studio one day and take this drawing with me to see if she could help me with it. When I told her I was having trouble figuring out what to do next, she took one look at it, and said, “What do you mean, what should you do with it? It’s finished!”

You have no idea how relieved I was to hear that! She told me not to worry about the hair, and just be done with it. I felt like dancing around the room, I was so elated! So I cleaned it up and took it to the framer. It’s called “Tiana at Age Two Weeks” and it’s graphite on paper, and is 16 x 20 inches.

So I spent most of the day when I was fooling around on Instagram looking at all of Alistair Adams’ work that he’d posted. And I was constantly amazed at his skill. His portraits are beautiful! And I found myself wondering if I could do that, and I knew I had to try. So that’s what I’m going to do. I don’t know how it’ll turn out, but I’ll never find out if I don’t try. And with God on my side, and at my side, it seems like it would have to go somewhere, don’t you think?

For we are His workmanship [His own master work, a work of art], created in Christ Jesus [reborn from above—spiritually transformed, renewed, ready to be used] for good works, which God prepared [for us] beforehand [taking paths which He set], so that we would walk in them [living the good life which He prearranged and made ready for us]. ~ Ephesians 2:10, Amplified Bible.

I love the way the Amplified Bible renders that verse. It seems to me that just as God has created me to do good works, He has made me His master work, His work of art, so He will help me to create works of art as I give Him glory, which I fully intend to do.